Original price was: 50.00$.3.00$Current price is: 3.00$.
Hey, Photo Lover! Ready to Transform Your Shots? Ever dreamed of giving your digital photos that timeless Fujifilm film look, without owning a Fuji X-series camera? These presets recreate Provia, Velvia, Classic Chrome, and ACROS film simulations built for both RAW and JPEG files, whether you shoot Fuji, Canon, Sony, or on your phone.
I built this pack after years of chasing the Fuji look in post for clients who shoot on other systems. Every preset here is tested against real Fuji X-Trans RAW files (X-T5, X100VI, X-Pro3), so the color science actually holds up, not just a filter slapped over a photo.
“Film Look Without the Film Price Tag”…
Built to echo Fujifilm’s own in-camera simulations: Provia, Velvia, Astia, Classic Chrome, and the ACROS black-and-white family, so your RAW edits feel like an extension of what your camera already does best.
Tuned for uneven city light: neon, shadow, dusk, where a generic preset usually crushes detail or blows out highlights.
Skin tones are where most Fuji-style presets fall apart. This set is built to keep the warmth natural rather than pushing everything orange.
Modeled on Velvia and Provia’s landscape strengths: deep blues, controlled highlights, and no muddy midtones on wide dynamic-range scenes.
For concrete, steel, and glass tones built to add filmic contrast to neutrals instead of leaving them flat and grey.
Softens harsh kitchen and restaurant lighting while keeping food appetizing rather than oversaturated.
Built for the lighting weddings actually throw at you: dim reception halls, mixed tungsten, candlelight, not just bright outdoor ceremonies.
For when you want to push past what Fujifilm’s own film simulations do in-camera.
Keeps greens realistic rather than neon, a common failure point for non-Fuji-specific presets for foliage and plant life.
🎁 BONUS PRESETS INCLUDED:
✅ 70+ Professional Fujifilm Presets – Complete X-Series toolkit.
✅ Desktop & Mobile Compatible – Edit anywhere, anytime.
✅ DNG Files Included – Mobile Lightroom ready.
✅ XMP Files Included – Desktop installation.
✅ Video Tutorial – Installation & usage guide.
✅ Fujifilm Photography Guide PDF – X-Trans sensor tips.
✅ Before/After Gallery – 120+ example photos.
✅ Camera Settings Guide – Fuji-specific settings.
✅ Film Simulation Guide – Match in-camera looks.
✅ Commercial License – Use for client work.
✅ Lifetime Access – Download forever.
✅ Free Future Updates – New Fuji presets added.
📸 Fujifilm X-Series Shooters 🎞️ Film Simulation Lovers 👤 Portrait Photographers 🌆 Street Photographers 🏞️ Landscape Shooters 💍 Wedding Photographers 🍽️ Food Photographers 🏛️ Architecture Enthusiasts 🎨 Creative Artists 📱 Instagram Influencers 💼 Professional Fuji Users 🔥 Anyone Shooting Fujifilm!
✅ X-T Series – X-T5, X-T4, X-T3, X-T30 II, X-T20, X-T2 ✅ X-Pro Series – X-Pro3, X-Pro2, X-Pro1 ✅ X-H Series – X-H2S, X-H2, X-H1 ✅ X-E Series – X-E4, X-E3, X-E2 ✅ X-S Series – X-S20, X-S10 ✅ X100 Series – X100VI, X100V, X100F, X100T ✅ X-A Series – X-A7, X-A5, X-A3 ✅ GFX Medium Format – GFX100 II, GFX100S, GFX50S II
Most Fuji preset packs are built by editing a JPEG and calling it a “film simulation.” These are built the other way around compared to the actual Provia, Velvia, Astia, Classic Chrome, and ACROS color science, and then adapted for RAW files from any camera brand. That’s why they hold up on Fuji, Sony, Canon, and even phone RAW/DNG files.
✨ Match legendary FILM SIMULATIONS in Lightroom.
⚡ Optimize for X-Trans sensor PERFECTLY.
⏱️ Edit faster while keeping Fuji color science.
🎨 Go BEYOND in-camera film simulations.
📸 Fine-tune like you can’t in-camera.
💪 Unlock HIDDEN potential in RAW files.
🎯 Professional results EVERY TIME.
💰 Expand creative options INFINITELY.
📷 Keep the Fuji look, you LOVE.
🔥 Stand out with signature Fuji style!
📸 FUJIFILM SHOOTING ESSENTIALS:
Shoot RAW+JPEG – Compare film sims with RAW edits.
Use Film Simulation – Preview look in-camera.
Custom settings – Save your favorite setups.
Dynamic Range – DR200 or DR400 for highlights.
X-Trans advantage: No AA filter = ultra-sharp.
📷 PRO SETTINGS FOR FUJIFILM CAMERAS:
PORTRAITS:
Film Simulation: Classic Chrome or Astia.
ISO: 160-800 for the cleanest skin tones.
Dynamic Range: DR200.
Tone Curve: Soft highlights, lifted shadows.
STREET PHOTOGRAPHY:
Film Simulation: Classic Chrome or ACROS.
ISO: Auto up to 6400 (Fuji handles it!).
Shutter: 1/250s minimum for motion.
Continuous AF-C for unpredictable subjects.
LANDSCAPES:
Film Simulation: Velvia or Provia.
ISO: 160 base for maximum quality.
Dynamic Range: DR400 for sunset/sunrise.
Tripod + self-timer for ultimate sharpness.
WEDDINGS:
Film Simulation: Pro Neg Std for skin tones.
ISO: Auto 200-3200 (church lighting).
Face/Eye Detection AF.
Continuous High for key moments.
⚡ FUJIFILM COLOR SCIENCE EXPLAINED:
PROVIA – Standard balanced color (like Kodak Ektachrome).
VELVIA – Saturated vibrant landscapes (punchy!).
ASTIA – Soft portraits with gentle skin tones.
CLASSIC CHROME – Muted retro documentary feel.
PRO NEG – Neutral portrait tones (Hi=bright, Std=normal).
ACROS – Fuji’s legendary black & white film.
ETERNA – Cinematic flat profile for video/stills.
Each preset MATCHES and EXCEEDS these looks!
⚡ COMMON FUJI MISTAKES AVOIDED:
❌ Over-sharpening X-Trans files (creates worms) ✅ Our presets use sensor-optimized sharpening.
❌ Treating Fuji RAW like Canon/Nikon ✅ Our presets respect Fuji color science.
❌ Abandoning film simulations in RAW ✅ Our presets RECREATE them with control.
❌ Fighting the Fuji look ✅ Our presets ENHANCE the Fuji aesthetic.
🚀 SHOOT LIKE FILM, EDIT LIKE DIGITAL! Best of both worlds! 📸✨
Bonus: Download 100+ Free PDFs (Valued Over $500): Your Ultimate Pose & Resource Library
Essential Photography Tools:
Massive Pose Collections:
| Presets Collection | Moody, Blue, Blush, Bright Airy, Cinematic, Classic, Clean, Colorful, Contrast, Cool, Matte, Creamy, Dark, Orange, Light, Golden Hour, HDR, Low Dark, Minimalistic, Neon Light, Night, Retro, Sepia, Vivid, Black White, Street |
|---|---|
| Quantity | 70+ (Regular Update/Adding New Available!) |
| Bonus | 100+ PDFs (Photography & Photo Editing) – Included With Presets Bundle. |
| License | Personal, Commercial (Use on client and paid work) |
| Delivery | Instant Digital Download (ZIP File), DNG, XMP, PDF |
| Updates | Free Lifetime Updates Included – no subscriptions, no renewals! |
| Support | Email customer support included |
| Compatibility | Lightroom Classic (desktop) and Lightroom CC (mobile and desktop), Mac, Windows, Android, iPhone (DNG & XMP) |
70+ Fujifilm Presets Bundle
Hridvy Hriddo –
If you’re chasing that Fujifilm magic without buying another camera, this is it. These presets soften harsh lighting in my indoor food photography, making dishes look mouthwatering. Batch apply to a whole shoot? Yes please! High-quality emulation that rivals the real deal.
Teiya Shenon –
Feels like I’m reliving the moments through vintage Fuji lenses. Essential for outdoor enthusiasts!
Daniela Cooper –
Holy cow, these Fujifilm presets nailed the Astia profile for my portrait sessions! Skin tones come out so natural and flattering—none of that orange-y mess from generic edits. I applied it to a family photoshoot, and the clients raved about the “professional film” feel. Easy to install and customize. If you’re a portrait photog, this is your new best friend.
Anna Arzanyan –
Living in the city, I capture a lot of gritty street scenes, and these presets bring out the best in them with that Industrial look inspired by Fuji’s Acros. Monochrome magic! Applied to a night shoot, and the shadows and highlights balanced effortlessly. Feels authentic to my X-Pro2. If you love black-and-white, grab this pack ASAP.
Miled Gerax –
I’m obsessed with analog photography, but developing film gets pricey. These presets bridge that gap perfectly, mimicking Provia 100F with those punchy blues and greens. Used them on my landscape hike photos, and it felt like I was shooting on actual Fuji slide film. The batch processing feature in Lightroom? Chef’s kiss. Total steal for the quality!
paul Frerichs –
I’ve been shooting with Fujifilm cameras for years, and these Lightroom presets are like having my X-T4’s film simulations right in post-production! The Classic Chrome emulation is spot on—crisp contrasts and those signature Fuji colors pop without overdoing it. Transformed my recent wedding shoot from bland to vibrant in minutes. Highly recommend for any Fuji fan dipping into digital editing!
Brian Anderson –
I’ve always been a sucker for vintage vibes, but these presets? They’re like a DeLorean for your photos—zipping them straight back to the golden age of film without the hassle of darkrooms. The “Classic Chrome” preset turned my mundane street shots into something out of a 1970s spy thriller. Super easy to apply, and they play nice with my X-T4 files. If your feed’s looking too digital, these are your flux capacitor. 5/5 stars—highly recommend for any retro soul.
Asier Goicoechea –
I’m a hobbyist photographer and these made me feel like a pro. My family photos suddenly have this cohesive, editorial look that I could never achieve on my own. My wife even asked if I took a course or something!
Wanda Vandekerkhof –
I’ve been shooting with my X-T4 for about a year now, and these presets have seriously cut my editing time in half. The color science matches Fujifilm’s film simulations really well, but with more flexibility. I especially love what they do with skin tones – very natural and flattering. Worth every penny if you’re a Fujifilm shooter.
Marcin Wasilewski –
I was hesitant to buy presets since I usually edit everything from scratch, but these have saved me hours every week. The cinematic look is spot on – really nails that desaturated, film-like quality without looking washed out. Highly recommend!
Krassimir Krastev –
I bought this bundle after seeing a photographer I follow use them, and I’m so glad I did. The before-and-after difference is stunning. My landscape photos finally have that dreamy, cinematic quality I’ve been chasing.
Evandro faria –
The editorial presets in this bundle are exactly what I needed for my fashion work. My Instagram following are growing rapidly and Brands paying me for campaigns now!
Nina Hoffmann –
The Fujifilm presets on my Nikon files = chef’s kiss. That signature Fuji color science is just different and these presets nailed it. I can offer that film aesthetic to clients without switching my entire camera system. Smart, cost-effective, genius.
Marko Samardzic –
The Dreamy Haze preset is my secret weapon for engagement shoots. It adds romance without looking cheesy or overdone. Couples go crazy for it.
Loic Vanleeuw –
My feed is photos of typewriters, old books, and rainy windows. Very aesthetic…These presets add that grainy, textured feel that makes my photos look like they were taken in a Parisian attic in 1962. They add the ‘vibe’ that my words need to live in.
Ali Özurfalı –
I hate overly-processed HDR looks. I just want my photos to look clean and classic. What I love about this bundle is that the base presets are subtle. They don’t scream, ‘I used a preset.’ They just make the colors look right, specifically the greens and blues, in a way that feels natural and timeless.
Luka Bavdaz –
I was getting bored with my photography. Everything looked too clean. I wanted grit and grain. I found a preset in here with heavy grain and a faded look that transformed my cityscapes. It gave them a 90s grunge aesthetic that I absolutely love.
Amelia T –
I shoot a lot of concrete, steel, and glass in the city. The problem is, those harsh neutrals can look boring. This collection adds the iconic filmic contrast that gives the architecture a Victorian vibe. It turns a dull grey building into a dramatic, moody piece of art with those deep shadows and lifted blacks.
David Bouillette –
I downloaded this pack specifically for the film simulations. There’s one that replicates an old film stock I used to love. It handles forest greens beautifully, giving them a slightly muted, realistic tone that digital often oversaturates.
Ting Chang –
We went to the beach, but it was an overcast day. The ocean looked grey, the sky looked grey, the kids looked grey. I used your preset to bring back the blue in the water and add a touch of warmth to their skin. It made a grey, dreary day look like a soft, beautiful, memorable one…..
LIGHT LOTUS LETTUCE li –
My partner and I have a couples travel page. We need our photos to look dreamy and romantic. We used one of the softer presets on a photo of us in front of the Eiffel Tower, and it gave it that ‘movie poster’ look. It softened the harsh afternoon light and made us look like the main characters.
Chai Kian Lee –
I downloaded this pack specifically for the film simulations. There’s one that replicates an old film stock I used to love. It handles forest greens beautifully, giving them a slightly muted, realistic tone that digital often oversaturates.
Johan Menzel –
I was a guest at a friend’s wedding in a dark, wood-paneled hall. The lighting was a nightmare: orange and muddy. I took a candid shot of the groom laughing with his grandpa, applied one of these looks, and suddenly the warmth looked intentional, like candlelight. It saved the memory from looking like a blurry mess.
Sebastian Müller –
My street photos from Tokyo at dusk always looked dull before, but this one gave them that gritty, alive vibe with perfect contrast. Now they tell real stories instead of just sitting in a folder.
Pierre Pehrson –
Edited 60 photos with four different presets from the bundle. They all felt like they belonged together. Printed it. No regrets. First time ever.
Yigit Sey –
I applied it to basic phone shots, and it made them look more professional. Exposure, contrast, and color grading worked together to give a polished finish.
Yigit Sey –
For street photography, it gave me that soft film-style finish. Skin tones were gently warmed, contrast reduced a bit, and grain added lightly to create a classic documentary feel.
GARRET ANTHONY –
I applied these to some dull indoor shots, and the difference was huge. The lighting feels more balanced and professional. Great for everyday photos. Even simple phone pictures look like they were taken with a high-end camera.
Lucas Tomasko –
During a full-day shoot with changing light, I used these to maintain a consistent color profile across all images, reducing editing time significantly.
정민 권 –
I’ve spent years trying to recreate the look of my old Fujifilm rolls in post-processing, and every attempt felt either over-processed or plasticky. These presets are the first ones that actually nail the tonal compression, the slightly desaturated greens, and that warm midtone signature that made me fall in love with film in the first place. I applied one to a foggy mountain shot from Japan and genuinely couldn’t tell the difference between it and a scan from my old X-T2. Worth every penny.
Bavesh Padayachy –
On a cloudy travel day, my photos looked dull, but applying one of these instantly added warmth and clarity without blowing out the highlights.
G Brits –
My outdoor portrait session during cloudy weather looked flat at first, but after applying these settings, the skin tones stayed natural while the background became deep and dramatic. Perfect for Instagram portraits.
Ya Var –
This pack completely changed the mood of my travel photos. Street shots from Tokyo now have that soft cinematic feel without looking overdone.
Noemi Kiss –
I applied them to a rainy portrait under an umbrella, and the scene now feels like a film still with soft highlights and emotional depth.
Antariksha Kumar –
The moody tones are incredible for urban photography. Buildings, streets, and shadows suddenly feel more cinematic. The vintage-inspired tones are beautiful. My digital photos suddenly feel like they were shot on classic film stock.
Erlin Panaligan –
What impressed me most is how well it handles mixed lighting indoors. I shot a café session, and it corrected warm and cool tones without extra editing.
Diogo Soares –
I used these presets on a Fujifilm X-T4 shoot in daylight, and they immediately improved the color balance. Skin tones stayed natural even in strong sun.
Ashwath Sudarsan –
My outdoor adventure photos now have a storytelling feel that matches the aesthetics of travel magazines. The color grading feels carefully balanced, especially in midtones.
Andrej Popov –
For street photography, it adds the right amount of contrast, so subjects stand out without making the background too dark.
Joemilton Gonzalez –
Excellent for creators who want a calm and timeless look rather than trendy over-edited colors.
Pavel Novotný –
What I love most is how versatile it is. I’ve used it on portraits, city shots, and even indoor café photos. Each time, the results feel balanced and film-inspired without looking artificial. It’s like everything suddenly has a unique style.
Fjóla Guðmundsdóttir –
I used this bundle on my travel photos from Kyoto, and the colors instantly felt more cinematic without looking fake. Skin tones stayed natural while the reds and greens became beautifully balanced. Thanks.
Margareth Buendia –
I shoot a lot of portraits outdoors, especially during sunset. What impressed me most was how naturally the skin tones were preserved while still enhancing the overall colors. My clients loved the final images, and I received several compliments about the dreamy, timeless look. Keep it up…
Anil Kumar Giridhar –
My old vacation photos had been sitting untouched for months because I couldn’t make them look the way I remembered. I gave these a try, and suddenly those memories came back to life. The landscapes looked vibrant, the skies felt deeper, and the entire album became something I was proud to share.